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22-Feb-2017 14:46 by 8 Comments

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In this installation the audience interacts with the piece itself.

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Mellomrommene mellom det du ser og det du hører åpner opp for nye meninger.Conversation, methods of registering spaces and bodies as well as experimentation with language are its main themes.For Lydgalleriet Rhiannon and Johanna create an auditive installation that centres around the processes of translation from written language to spoken language to printed matter and back to spoken language.Den hørbare sammensetningen er en komponering i sanntid, over Wi-Fi, en type tale uten retning hvor nye “setninger” og fraser finnes opp for hver uttalelse, med den konsekvens at samtalen aldri beveger seg fremover.Laget etter en funksjonalistisk tankegang, der alle materialer fungerer som en fremming av kretsens funksjon, er skulpturene forenet i sin materialitet. 1991, Stavanger) er en komponist og kunstner basert i Riga, Latvia.Prosjektet springer ut av danseforestillingen av Roar Sletteland og Karen Eide Bøen, der danserens bevegelser kontrollerer platespillernes oppførsel. In a time when music, both in creation and playback, is often only digital, is a reminder of sound’s physical starting point and thus about a culture where this materiality was central.

Denne gangen er det publikum selv som interagerer med verket. The record player and vinyl were fundamental in the socio-cultural phenomena that the DJ- and club culture created when it occurred.Rhiannon Inman-Simpson (UK) and Johanna Lettmayer (AUT) graduated from the Master in Fine Arts Program of the Academy of Art and Design in Bergen in 2016.In their practices they work with painting and walking (Inman-Simpson), and text based media and performances (Lettmayer).The auditory composition is a sort of non-directional speech, where new “sentences” and phrasings are invented for each utterance, yet the conversation never moves forward. 1991, Stavanger) is an artist and composer currently based in Riga, Latvia.While originally studying music composition, his work has shifted toward electronic sound sculptures, looking to uncover the intrinsic beauty of circuits.was made possible with the support of the Canada Council for the Arts, Bergen kommune, Norsk kulturråd, KMD and BEK. Rillene er avtrykk av fortidens lydbølger som stiften omdanner til levende lyd i nåtiden.